{"id":1399,"date":"2011-11-17T17:25:06","date_gmt":"2011-11-17T17:25:06","guid":{"rendered":"http:\/\/www.saxonline.it\/w4\/?page_id=1399"},"modified":"2012-05-23T08:57:19","modified_gmt":"2012-05-23T08:57:19","slug":"all-the-things-you-are-lee-konitz","status":"publish","type":"page","link":"https:\/\/www.jazzlab.saxonline.it\/w3\/jazz\/pratiche-avanzate\/all-the-things-you-are-lee-konitz\/","title":{"rendered":"All the things you are &#8211; Lee Konitz"},"content":{"rendered":"<p><strong>Lee Konitz \u2013 Back to basic<\/strong><\/p>\n<p>In questa breve pagina scritta da Lee Konitz \u00e8 possibile farsi una idea di cosa vuol dire improvvisazione tematica. Le prime 8 battute di All the things you are sono elaborate in 10 modi diversi utilizzando variazioni sempre pi\u00f9 complesse. L&#8217;articolo nel suo insieme \u00e8 altrettanto interessante e dice chiaramente quanto sia importante per Konitz lo studio della melodia di un brano che diviene laboratorio per esplorare nuovi materiali senza disperdersi in un procedimento che da il titolo all&#8217;articolo stesso (back to basic).<\/p>\n<p>Ecco l&#8217;articolo originale:\u00a0<a href=\"http:\/\/www.saxonline.it\/wordpress\/wp-content\/uploads\/2011\/10\/Articolo-su-improv.di-Konitz.pdf\">Articolo-su-improv.di-Konitz.pdf<\/a><\/p>\n<p><a href=\"http:\/\/www.saxonline.it\/wordpress\/lee-konitz-back-to-basic.html\" target=\"_blank\">Qui invece la traduzione sul sito principale di Saxonline<\/a><\/p>\n<p><a href=\"http:\/\/www.saxonline.it\/w3\/?page_id=1626\" target=\"_blank\">Apri Analisi Melodica<\/a><\/p>\n<p>La pratica: All the things you are<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1619\" title=\"konitz1\" src=\"http:\/\/www.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/konitz1.jpg\" alt=\"\" width=\"700\" height=\"905\" srcset=\"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/konitz1.jpg 700w, https:\/\/www.jazzlab.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/konitz1-232x300.jpg 232w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1620\" title=\"Konitz2\" src=\"http:\/\/www.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/Konitz2.jpg\" alt=\"\" width=\"700\" height=\"905\" srcset=\"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/Konitz2.jpg 700w, https:\/\/www.jazzlab.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/Konitz2-232x300.jpg 232w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1621\" title=\"Konitz3\" src=\"http:\/\/www.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/Konitz3.jpg\" alt=\"\" width=\"700\" height=\"905\" srcset=\"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/Konitz3.jpg 700w, https:\/\/www.jazzlab.saxonline.it\/w3\/wp-content\/uploads\/2011\/11\/Konitz3-232x300.jpg 232w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lee Konitz \u2013 Back to basic In questa breve pagina scritta da Lee Konitz \u00e8 possibile farsi una idea di cosa vuol dire improvvisazione tematica. Le prime 8 battute di All the things you are sono<a class=\"moretag\" href=\"https:\/\/www.jazzlab.saxonline.it\/w3\/jazz\/pratiche-avanzate\/all-the-things-you-are-lee-konitz\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1270,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1399","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/pages\/1399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/comments?post=1399"}],"version-history":[{"count":6,"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/pages\/1399\/revisions"}],"predecessor-version":[{"id":1618,"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/pages\/1399\/revisions\/1618"}],"up":[{"embeddable":true,"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/pages\/1270"}],"wp:attachment":[{"href":"https:\/\/www.jazzlab.saxonline.it\/w3\/wp-json\/wp\/v2\/media?parent=1399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}